New Red Order is a public secret society that collaborates with informants to create exhibitions, videos, and performances that question and rechannel subjective and material relationships to indigeneity. New Red Order orients their work through the paradoxical conditions of Indigenous experience, and explores the contradictions and missteps that embody desires for indigeneity in the myths, dreams, and political foundations of the so-called Americas. Through modes of entertainment and corporate address, museological display, re-appropriation, and a multiplicity of swerving artistic strategies, NRO aim to collectively advance understandings of how identity is conveyed and configured within contemporary art practices, in order to create sites of acknowledgment that promote solidarity and shift obstructions to Indigenous growth. 

New Red Order is facilitated by core contributors Adam Khalil (Ojibway), Zack Khalil (Ojibway), and Jackson Polys (Tlingit). They have presented their work with Art Sonje, Artists Space, Creative Time, Haus der Kulturen der Welt Berlin, Kunsthal Charlottenborg, Kunstverein in Hamburg, Lincoln Center, Momenta Biennale de l’image, Museum of Modern Art, Museum of Contemporary Art Detroit, New York Film Festival, Sharjah Biennial, Sundance Film Festival, Toronto Biennial 2019, Walker Art Center, and Whitney Biennial 2019, among others, expanding the public secret society network across numerous institutional platforms.