LOT LAB 2025
Matthew Akira Okazaki
TORII, 2024
Concrete, steel, wood, rebar, rope, and weather-resistant paper
Marking a space for gathering and reflecting on the presence of those with us and those who came before us.
Matthew Okazaki’s TORII is a participatory sculpture consisting of one fully built Torii Gate and fragments of another scattered in a small cluster for sitting and gathering. In traditional Japanese culture these gates, typically painted vermillion for association with the royal and religious, are found near Shinto shrines and mark a passage from the secular to the sacred. Torii Gates signal a transition from the grounded, earthly world to the spiritual one, a portal from one realm to another.
TORII is placed at Lot Lab in proximity to the Marine Barracks Torii Gate, which is inaccurate in function, scale, and color, and aims to rectify the gate's loss of meaning and honor the artist’s Japanese American cultural heritage. This artwork opens a portal into Lot Lab, functioning as a threshold from the Charlestown Navy Yard into a site for reflection on the complex and diverse histories that make up people and places.
An architect by training, Okazaki’s work centers around a creative practice of “making do.” He emphasizes place-knowing and archival research in his practice, recently investigating the resilient spirit of domestic interiors in Japanese-American WWII internment camps, which the artist’s own grandfather experienced. By illuminating historical practices of “making do,” Okazaki calls attention to tactics of adaptability by embracing ordinary materials for the creation of new meaning. This is why TORII is made of readily available construction materials–concrete, recycled wood, rebar, and rope– and conveys a state of incompleteness and timelessness. The artist notes: “The Torii Gate is merely a beacon, a funnel, an instrument that allows access to this space that celebrates both the bodily and the spiritual, that welcomes not just ourselves but our community, our ancestors and those who came before us, and the kami (spirits) we cannot see but that is present all around us.”
Local artist Maria Fong has designed interactable paper charms that attach to TORII’s vertical column, inspired in form by zigzag-shaped streamers commonly found on Torii Gates called Shide. Visitors to Lot Lab are invited to engage with a Public Art Ambassador on weekends to share responses to the prompt “Where is your community? Who or what is an important presence in your community?”
LOT LAB 2024
Matthew Akira Okazaki
b. 1987, based in Boston
Matthew Akira Okazaki (b. Oakland, California) is an artist, designer, and educator based out of Boston, Massachusetts. His sculpture, mixed-media, and architectural work centers around a creative practice of “making do.” Through an emphasis on place-knowing, archival research, and the exploration of material and construction techniques, Okazaki embraces the ordinary and readily available in the hopes of uncovering and constructing new meanings and collective modes of understanding in the spaces we inhabit.
His writing and work has been published in The Boston Art Review and the Journal of Architectural Education, and he has participated in exhibitions at the Pao Arts Center, Gallery 263, Unbound Visual Arts, and Galatea Fine Art. He was a 2023 Densho Artist-in-Residence, an organization that aims to tell the history of Japanese-Americans incarcerated during World War II. Most recently, Okazaki was selected to create a seasonal public art installation for the City of Cambridge’s 2024 Shade is Social Justice and Climate Resiliency initiative.
Okazaki is the founder of the architecture practice Field Office LLC, and a principal at Architecture for Public Benefit, a benefit corporation providing design services for non-profit and mission-driven organizations in Greater Boston. Recent collaborators include Boston Public Library, the City of Cambridge, YouthBuild Boston, Bridges Homeward, and Just-A-Start.
Okazaki is a Professor of the Practice in the Department of the History of Art and Architecture at Tufts University. He holds a Master of Architecture from Harvard University’s Graduate School of Design and a B.S in Applied Mathematics from UCLA.